120 Cinestill 800T
Product information
120 Cinestill 800T| Manufacturer | Cinestill |
| Film | 800 T |
| Type | ISO: 800 |
| ISO | 800 |
| Format | 120 – 6×6, 6×4,5 , 6×7, 6×9 |
Cinestill 800T 120: The Nighttime Magic of Cinema in Medium Format
Night photography has just been upgraded. The Cinestill 800T 120 brings the legendary aesthetic of neon lights and car headlights directly to medium format cameras. This ultra-fast film is balanced for artificial light. Capture cities in the dark with a style no other emulsion can imitate. It is the definitive choice for creators seeking a purely cinematic and "cyberpunk" look with the highest level of resolution.
What makes the Cinestill 800T film roll in 120 format legendary?
Its secret lies in its complex industrial origin. Cinestill acquires original Kodak Vision3 500T motion picture film and removes its protective backing layer (Remjet) at the factory. This allows you to develop it at any lab using universal C-41 chemistry. By removing the Remjet, the intense light from streetlamps bounces freely inside the huge medium format negative. This bounce creates the famous "Halation" effect: spectacular bright red halos around any intense light source.
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The nighttime aesthetic now in 35mm.
If the slowness and bulk of medium format limit your agility for hunting street photographs at night, don't give up the magic. Get the legendary Cinestill 800T in 35mm to make the most of your compact or hand-held SLR camera, achieving the same brutal "cyberpunk" aesthetic and red halos in an all-terrain format.
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Technical Specifications and Basic Comparison
Photographing the night with motion picture film requires chemical precision. We break down the exact technical profile of this famous modified emulsion.
- Format: 120 roll (Medium Format).
- Nominal sensitivity: ISO 800 / 30° (Tungsten – 3200K).
- Emulsion type: Cinematic Color Negative (Pre-treated).
- Base support: Safety acetate (No original Remjet layer).
- Development: C-41 process (Standard color chemistry).
| Feature | Cinestill 800T 120 | Kodak Portra 800 120 |
|---|---|---|
| Temperature Balance | Tungsten (Cool in sunlight, warm at night) | Daylight (Warm in sunlight, orange at night) |
| Effect on Highlights | Halation (Bright red halos) | Controlled (No red halos) |
| Native Contrast | Low (Cinematic) | Medium (Photographic) |
Technical Variables of the Analog Film
- Color Saturation: Unique. The absence of the carbon layer artificially increases vividness. It masterfully highlights the fluorescent greens, cyan blues and intense reds of the urban night.
- Contrast and Tonal Range: Very soft. Designed to record cinema, its tone curve is incredibly flat. It retains abysmal detail in the darkest shadows of the street.
- Exposure Latitude: Extraordinary. It withstands severe overexposures and extreme pushes without flinching, protecting the highlights that would destroy other nighttime films.
- Skin Tone Reproduction: Challenging. Being calibrated for artificial light, if you photograph faces in daylight under the sun without an 85B correction filter, skins will look sickly and extremely blue.
- Grain Structure and Size: Ultra-soft. Based on Vision3 technology, on the huge canvas of 120 format the grain is practically microscopic, ideal for giant projections.
- Color Cast: Cool (bluish) tendency. When photographing the orange light of the street, the film "cools" it chemically, returning realistic white and neutral colors.
- Sharpness and Resolving Power: Extremely high. The large frame size extracts all the cutting power of medium format optics, counteracting the softness of the "Halation".
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Why buy your Cinestill 800T 120 at Camera Market?
We know the ins and outs of modified cinema films. We are a real, active professional analog lab and we develop this format weekly. We understand that lacking Remjet, this film roll is prone to light piping. We store all stock rigidly in cold storage to prevent base fog. We dispatch your valuable rolls urgently within 24/48 hours with fully opaque packaging. If the bluish tone of your daylight scans confuses you, our technical team will advise you by phone to correct them in Lightroom.
Advantages and Disadvantages of Cinestill 800T 120
| Advantages (Pros) | Disadvantages (Cons) |
|---|---|
| Cinematic ISO 800; allows fast shutter speeds in handheld night photography. | Very premium price derived from its complex industrial manufacturing process. |
| Unique Halation effect (red halo); adds a magical atmosphere to artificial lights. | Shooting in daylight requires an orange filter (85B) or the result will be excessively blue. |
| Since it has no Remjet, it can be developed at any shop with the economical C-41 process. | Transparent base very sensitive to stray light; requires loading the camera in the dark. |
Comparison Table: Cinestill 800T vs. night film rolls
| Color Film 120 Format | Light and Contrast Profile | Recommended Use |
|---|---|---|
| Cinestill 800T 120 | Tungsten (Neutral at night), red halos | Night scenes / Cyberpunk |
| Kodak Portra 800 120 | Daylight (Yellow/Orange at night) | Weddings / Low-Light Portraiture |
| Lomography Color 800 120 | Daylight, very aggressive saturation | Parties / Lit concerts |
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The photographic elite Color 120 best sellers.
Find out which giant emulsions are being used at international weddings and editorials. Explore our wide section of Color Film 120 Format to compare the coldness of the urban night with the coveted, warm skin tones offered by the king of daylight: Kodak Portra 400.
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120 Lomography Color 100 Pack 3 07/2022
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120 Lomography Color 100 Pack 3 04/2023
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12.40 €
Development Times for Cinestill 800T (C-41 Process at 38°C)
By foregoing the ECN-2 cinema process, its chemistry is universal. We indicate the standardized laboratory times for processing in C-41 without damaging the film.
| Chemical Bath (C-41 Kit) | Strict Temperature | Exposed ISO | Exact Time (Minutes) |
|---|---|---|---|
| C-41 Developer (ISO 800 Nominal) | 37.8 °C (100 °F) | 800 (Nominal) | 3 min 15 sec |
| C-41 Developer (Push +1) | 37.8 °C (100 °F) | 1600 | 4 min 15 sec |
| C-41 Developer (Push +2) | 37.8 °C (100 °F) | 3200 | 5 min 30 sec |
| Bleach/Fixer (Blix) | 35 – 38 °C | All | 6 to 8 min (Depends on Kit) |
Camera Market Pro Tip: The giant «Light Piping» trap
It is heartbreaking to develop your beautiful night shots on Cinestill 120 and discover that the top, bottom and even the center edges of the film are crossed by thick flares of bright red light that fog your photos.
The physics of medium format without Remjet: The original carbon layer (Remjet) not only prevents halos on streetlights; it also blocks light. When removed, Cinestill film becomes transparent as glass. Format 120 has no metal canister, only opaque paper. If you load the camera in broad daylight, the sun's rays will bounce off the edge of the roll and travel through the film as if it were fiber optics, fogging the entire interior. The unbreakable golden rule: Load and unload this film roll always in the strictest semi-darkness, under a heavy coat or indoors without light. Apply monumental tension with your thumbs on the exposed rolls so the paper does not loosen, stick it immediately and put it quickly into its black plastic tube.
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Physical Behavior and Scanability
We face the peculiar mechanical challenges of digitizing a cinema film adapted.
Planarity (Film Curl)
Lacking the rigid rear carbon, Cinestill's synthetic cinematic base becomes extremely elastic. After final drying hanging, the gigantic 120 strip usually presents severe bowing and edge curling. Scanning it freshly cut in an Epson will ruin the focus. It demands you disciplinedly press it under heavy art books for a minimum of 48 hours before placing it in the plastic negative holders.
Inversion profiles (Scanning)
Its base mask is different from photographic films. In Negative Lab Pro, ignore the photographic modes and apply «Cinematic» or «Linear» profiles. The raw file will reveal itself very flat and low contrast. Do not be scared, that is its virtue. Its «Log» curve is designed for color grading. Stretch the whites in Lightroom freely; you will discover that it is almost impossible to break or pixelate this negative.
To the Limit: Extreme Exposure and Zone System
Know the monstrous resistance and elasticity of this cinematic tape in raw conditions.
Reciprocity Failure
It behaves masterfully. Being designed expressly to record the constant movement of cinema, the film keeps its colors stable and does not demand severe compensations in time until past 4 seconds of exposure on tripod. It is the queen of urban night.
Extreme Push and Pull
It is the world king of chemical push in C-41. Pushing this film to ISO 1600 (Push +1) or to an implausible ISO 3200 (Push +2) is a common and safe practice. The grain of medium format film remains acceptable and the contrast increases dramatically, being the definitive lifesaver for «underground» concerts plunged in dark shadows.
Dynamic Range Map
Its cinematic latitude absorbs overexposure en masse. Bright neons do not easily «melt», retaining the details and achieving that magical red halo. However, areas of total penumbra will punish the negative if enough light does not arrive. Always meter prioritizing the dark midtones of the alleys.
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Reliable C-41 Pushes Color Lab.
Do not risk the photos of your night event. Send us your invaluable exposed Cinestill 120 film roll for a rigorous C-41 push to ISO 1600 with digital thermal control, and a high-resolution human scan that will balance the low cinematic contrast.
Request Professional Development and Push
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Camera Market Pro Tip: The lie of shooting in daylight
Many photographers load the Cinestill 800T on a sunny weekend in their medium format camera and, upon receiving the results, hate to see that the beaches and countryside are tinted with an intense alien smurf blue filter.
The color temperature law of the "T": The letter "T" in its name stands for "Tungsten". This film is photochemically formulated to cool down (add blue) the warm, orange light of 3200K street bulbs, making the scene look neutral. If you feed it sunlight (5500K), which is already white/blue, the chemistry goes haywire and tints the entire shot cold. The double solution: If you want to shoot in daylight, you must screw an 85B Orange Filter onto your lens to trick the emulsion (losing almost 1 stop of light). If you don't have a filter, overexpose the photo in-camera at ISO 400 and aggressively push the white balance toward warm in your editing software, although the filter is the only truly professional solution.
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Frequently Asked Questions about CineStill 800T 120 (FAQ)
Why do you recommend CineStill 800T over Portra 800 for night?
It all comes down to white balance. Portra 800 is balanced for daylight; under the city's orange streetlights, photos will come out excessively yellow. CineStill 800T is balanced for Tungsten light (3200K), which neutralizes those warm tones, restores true whites and brings its unmistakable red halo (halation) to the points of light, achieving a purely cinematic aesthetic.
Can the carbon layer (Remjet) ruin my chemicals or the development?
Not with CineStill. This film uses a patented process to completely remove the black carbon antihalation layer (Remjet) that the original Kodak Vision3 film comes with from the factory. Thanks to this, you can develop the roll with total peace of mind, since it won't release residue or stain the tanks or the developing chemicals.
Does the 120 format have a DX code or automatic reading?
No. The 120 medium format does not use the DX code system. In medium format cameras that have a light meter, such as Hasselblad, Mamiya or Pentax, the photographer must manually set the ISO sensitivity dial to 800 on the camera body or the back before making the first exposure.
Should I pay for ECN-2 or C-41 development at Camera Market for this film?
Since it is free of Remjet, this film roll is 100% compatible with the universal photographic chemical process. In our lab, you must select the standard and fast C-41 development rate for medium format. It does not require cinema surcharges (ECN-2). We recommend adding digital scanning to make the most of its cinematic latitude.
Can I pass CineStill 800T rolls through airport scanners?
Under no circumstances. The 120 format is especially vulnerable to radiation as it has no metal canister. Given its high sensitivity (ISO 800), the new CT (Computed Tomography) scanners can irremediably fog your film. Always request a manual inspection (Hand Check) and carry your rolls in your hand luggage.
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Master the alchemy of cinema C-41 Chemical Kits.
Without the troublesome Remjet layer, developing cinema at home is easy and economical. Use the precise C-41 Color Developing Kits from Cinestill to manually and thermally process your medium format night trips cleanly in your own sink.
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Unleash the magic of nighttime cinema in your large format
The Cinestill 800T in 120 medium format is the undisputed Holy Grail for photographers who yearn to master the urban night. Its impressive balance for artificial light eliminates the yellow shadows of the street, revealing "cyberpunk" greens and blues. Combined with the crystal-clear resolution of the 120 format and its unforgettable red halos in the highlights, they crown it as the absolute ammunition for editorial night portraits and urban landscapes with neon lights. Do not let the night limit your medium format framing. Add a dozen of these precious film rolls to your cart right now and take advantage of our refrigerated and urgent 24/48-hour shipping. Remember that our lab specialists will process your film with rigorous C-41 chemistry, scanning artisanally to extract every last cinematic tone from your gigantic negatives.
120 Cinestill 800T is in <strong>perfect working condition</strong>. Each unit has been rigorously inspected by our specialized technical team, guaranteeing optimal performance.
The specific cosmetic condition (possible signs of use, superficial scratches, etc.) is detailed in the actual photos of the product and in the full description.
The purchase includes the 120 Cinestill 800T and a <strong>warranty</strong> against manufacturing defects. As this is a second-hand product, accessories (caps, lens hood, case…) <strong>vary by unit</strong>.
Want to know exactly what this specific unit includes before buying? <strong>Message us via the website chat</strong> and we'll confirm right away.
All our products include a <strong>warranty</strong> covering any manufacturing defect or technical failure.
<strong>You can extend the warranty of your item:</strong>
- <strong>12 months</strong> of full coverage for only <strong>{price_12}</strong> (one-time payment)
- <strong>24 months</strong> of maximum peace of mind for <strong>{price_24}</strong> (one-time payment) — <em>recommended</em>
We also offer <strong>14-day no-questions-asked returns</strong>. If you're not completely satisfied, you can return it for a full refund.
At Camera Market, most of our items are imported from Europe, so orders can take up to <strong>14 calendar days</strong> to arrive at your address.
However, we offer expedited delivery of <strong>4 to 5 business days</strong> for selected products with immediate availability. All shipments include a <strong>tracking number</strong> so you can track your order in real time.
Comprar the 120 Cinestill 800T reacondicionado y certificado en Camera Market te ofrece <strong>múltiples ventajas</strong>:
- <strong>Significant savings:</strong> Prices up to 40-60% lower than new, without compromising quality or performance
- <strong>Guaranteed quality:</strong> Each product is inspected, tested and verified by specialized technicians
- <strong>Warranty included:</strong> standard coverage, extendable with the optional extension
- <strong>Sustainable purchase:</strong> You contribute to the circular economy and reduce the environmental impact of electronics
- <strong>Accessible professional equipment:</strong> Get high-end models at more competitive prices
Our refurbished photography equipment maintains the same optical and technical performance as new. Depreciation does not affect image quality or performance, only the price.
